Special Catalogs
Transkript
Special Catalogs
PHOTOGRAPHY CATALOGUE EDITOR PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES TITLE AUTHOR 123 arve Berke Can Özcan Aisha Records 2010 174 Turkish 33 Genç Fotoğrafçıdan İğne Deliği Fotoğrafları / Pinhole Photography by 33 Young Photographers Engin Özendes İstanbul Modern 2008 105 Turkish; English Ali Sami (1866-1936) Photographer / Fotoğrafçı Engin Çizgen Haşet Kitabevi 1989 156 Turkish; English Ankara Mehmet Özel TC Kültür Bakanlığı 264 Turkish; English Antonio Cosentino, Extramü cadele, Ali Gün anne ben beton dökmeye gidiyorum / mom Yıldırım, Can i'm going out to pour some concrete Akgümüş, Sahir Uğur Eren, Tufan Önal, Engin Irız GSAPP Books 2015 80 Turkish; English 1989 88 Turkish Arabesk Haluk Çobanoğlu Fotografevi Yayınları Aralık Cemil Ağacıkoğlu Literatür Yayıncılık Around and About Lake van Lütfi Özgünaydın Haşim Nur Bellek ve Ölçek: Modern Türk Heykelinin Gürel, Ali 15 Sanatçısı / Memory and Scale: 15 Artists Akay, Levent of Modern Turkish Sculpture Çalıkoğlu 2007 With CD $30,00 $140,00 $60,00 1994 Hüseyin Sönmez, Kaan Hil Yayın Çaydamlı $30,00 $50,00 Belko Ara Güler COMMENTS 353 Turkish Ankara Posta Kartları ve Belge Fotoğrafları Arşivi / Archive of Ankara Postcards and Documentary Photographs Ara Güler'in Sinemacıları 9789756167298 PRICE 94 Turkish; English 64 Turkish 9781941332092 $25,00 $30,00 9789944720007 $50,00 In Haluk Çobanoğlu's words: ''For Turkey arabesque means more than just being a musical genre. At this stage we concur with philosopherAdorno who says 'every music style represents the conflicts and tensions of the society in general'. To peruse the subject from this angle, assuming music to be an uncensorable sonorous historical heritage of a land, of a country, this photographical documentary project has been an attempt after the arabesque music for nine years, looking for the lost, and the lasting, and the changed.'' $30,00 Fotografevi Yayınları 2005 107 Turkish; English 9789759808914 $30,00 İstanbul Modern 2006 341 Turkish; English 9789756167106 $75,00 Page 1 Ali Sami was a photographer, who graduated from the Imperial School of Engineers. His photographs, whether family snapshots or official commissions, are a mirror in which we see reflected the 19th century Ottoman Empire. What I saw was affirmation of the image I had in my mind. Most of all, the colour...The lake's fragile hue began to permeate my weary mind. The colour I'd conjured in my imagination coincided exactly with the colour of the lake in reality. What I was experiencing was the moment where the imaginary synchronises with the real... At every step, I felt my feelings mellow, my spirits lift... TITLE AUTHOR EDITOR PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES Biz'den Görünenler: Cumhuriyet Sonrası Türk Fotoğrafından Bir Seçki / Appearances as We See Them: A Selection Engin Özendes Turkish Photorgraphy Since the Founding of the Republic İstanbul Modern 2004 100 Buluşma / Rendez-Vous Cem İleri İstanbul Modern 2005 77 Cityrama Cem İleri İstanbul Modern 2005 66 Cumhuriyet'in Işığında: Othmar Pferschy Fotoğrafları / In the Light of the Republic: The Photographs of Othmar Pferschy Othmar Pferschy İstanbul Modern 2006 Turkish; English Turkish; English Turkish; English 157 Turkish; English 27 Turkish; English PRICE 9789756167014 $40,00 9789756167038 $25,00 9789756167069 $50,00 9789756167090 $100,00 Çanakkale Savaşları Fotoğrafları / The War of Gallipoli Türkiye Güzel Sanatları Geliştirme Vakfı Çekim Merkezi / Centre of Gravity -29X29- Rosa Martinez İstanbul Modern 2005 284 Turkish; English 9789756167076 $60,00 Çocuk Dünyam / A Child's World Fotografevi Yayınları 2005 69 Turkish; English 9789759893378 $30,00 İstanbul Modern 2006 293 Turkish; English 9789756167151 $50,00 Erdal Yazıcı Doğru Yerde Doğru Zamanda / Right Place Gökşin Sipahioğlu Right Time Emine Ceylan Fotoğraflar | Photographs Emine Ceylan Emine Ceylan 1997 108 Turkish; English Page 2 COMMENTS Othmar Pferschy was one of the first and most outstanding documentary photographers of the period, traveling throughout the country taking thousands of photographs. These years were a time when photography in Turkey was expected to seek out what was beautiful, admirable and worthy in the country, recording subjects such as relations between people and nature, archaeological sites, and change and modernization in cities. Othmar's photographs are the finest examples of this genre. His photographs capture meticulously timed moments, are technically flawless and aesthetically brilliant. $40,00 $100,00 This book has been prepared on the occasion of the exhibition ''Centre of Gravity'' held between 18 September 2005 – 8 January 2006 at the Istanbul Modern Art Museum. Taken by Erdal Yazıcı in Turkey's larger cities as well as a host of small towns, villages and the countryside, the photographs in this book reflect the world of children. This book contains 51 photographs of Emine Ceylan, mostly consisting of human portraits. According to Demir Özlü: ''When we look at Emine Ceylan's photographs it is immediately obvious that there is no need for us to debate the paradox between the local and universal. The figures she selects already bear the most conspicuous characteristics of the local which is inherent within themselves, but these figures do not remain static. Instead, by being drawn inside the wildest, most deserted and loneliest landscapes, they rush towards an ultimate metaphysical dimension. The skies and clouds in the background of many of these photographs mark them with the heavy stamp of this metaphysical perception. Emotion intensifies and then rereflects in the foreground, intensifying the image still further. Since her photographs are images of life and death, the selected local figure or type within the dimensions of the frame, together with the objects around it, has no trouble accessing the universal, perhaps something even beyond the universal: the situation of mankind in the world, the human being abandoned, this ephemeral being, and its poetic helplessness in the presence of the natural world; reaching what is a strange fragment of the cosmos, and will vanish in face of its infinity and desolation.'' TITLE AUTHOR EDITOR Fotoğrafçı Çocuklar Atölyesi: Depremden Sonra / Child Photographers' Workshop: After the Earthquake PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES PRICE Fotografevi Yayınları 2000 216 Turkish; English Fotoğrafçıların Gözüyle İstanbul / Istanbul Ömer Serkan Bakır by Photographers Fotoğraflarla Türkiye'de İnsan Hakları, 1839-1990 / Human Rights in Turkey: A Bülent Tanör Photographic Account Fotografevi Yayınları 2008 148 Turkish; English Tarih Vakfı 1996 64 Turkish; English $25,00 Fotoğrafta Atmosfer, Yaşam & Doğa Gültekin Çizgen Fotoğrafları / Atmosphere in Photography Kelaynak Yayın Tanıtım 1998 Turkish; English $100,00 9789944720106 $30,00 2012 128 Turkish; English İstanbul Modern 2006 163 Turkish; English 9789756167120 $30,00 Gerçekçi Ol, İmkansızı Talep Et! / Be a Realist, Demand the Impossible! (Ekim 19 Halil Altındere Kasım 17 2007 / October 19 - November 17 2007) Art-ist 2007 92 Turkish; English 9789750029042 $20,00 Gözlem, Yorum, Çeşitlilik / Observation, Interpretation, Multiplicity İstanbul Modern 2004 187 Turkish; English 9789756167007 $40,00 Gerard Caris Gerçek Öyküler / True Stories François-Marie Banier Cem İleri, Haşim Nur Gürel, Ali Akay Ayşe Orhun Gültekin $30,00 Kuad Gallery Gerard Caris: Beşgencilik | Pentagonism Page 3 COMMENTS $50,00 Kuad Gallery presents a selection of the works of 1925 Maastricht (The Netherlands) born artist Gerard Caris entiled "Pentagonism". After his education in Technical School Maastricht Caris' life until 1970’s was divided into working as petrol engineer in Far and Middle East, including Turkey and as a student of art and philosophy in USA (1957-1967). He graduated from the Monterey Peninsula College, California, the Monterey Institute of Foreign Studies and San JoséCollege(arts and humanities) and later from the University of California, Berkeley a. o. with David Hockney, Ronald Kitay, Elmer Bischoff and Richard Diebenkorn. He has B. A. in Philosophy and "Masters degree in art" from the University of California, Berkeley. Since 1970 he lives and works as full time artist in Maastricht, creating a remarkable corpus of work from a single form, Pentagon. He is producing sculptures, reliefs, paintings, drawings, graphic editions using the limitles possibilities of pentagon geometry and its spatial form of dodechachedron. TITLE Haberler İzlenimler / News Impressions Hayali Şehir AUTHOR Selim Birsel Yeşim Tetik, Bülent Özşeker, Edmon Sefer Hayatın Yansıması: Retrospektif Fotoğraflar / Double of Life: Retrospective Andre Kertesz Photographs Hindistan Mehmet Günyeli In Bloom Pelin Kırca EDITOR PUBLISHER Kuad Gallery # OF LANGUA YEAR PAG ISBN GE ES 2012 51 Turkish; English PRICE COMMENTS $250,00 Maybe I should rephrase this and say that I was not documenting anything but I was working on the image itself, I was really photographing, and that made me remember the pleasure I felt when I worked in this way years ago. Times had changed; we are in the communication era. I could share my whereabouts and my impressions of the moment on the internet immediately. That day I was in a garden devastated by civil war, 10 kilometers east of Beirut; 100 kilometers west of Damascus and I was cleaning this garden. Later, I would place the objects that I had collected during my random walks as a 'flaneur' in town on a hexagonal table in this garden. On certain place on the map, from the series' ''News/Impressions'', the first photograph I shared was 'Hexagonal Table in the Garden' (18.08.2008), after this photograph, I sent a new one every day by e-mail to my acquaintances. I established certain rules for myself concerning the making and sending of these photographs. These photographs would be taken during my trips (not my vacations) no matter how many photos I had taken during one day, I would choose only one, I would put a title, and it would be the impression of that given day. I would not plan what I would photograph the next day. I would be loyal to the impression of what that single day had brought. There were exceptions from time to time. I had established the rules and I could break them. I believe this supple approach is correct as in the sequence of the taking of the photographs. A friend claimed this activity of mine as the prolongation of the popular movement, 'Mail Art' of the 70ties. I do not oppose, but I prefer to keep "News/Impressions" outside of a social network. From my point of view, I prefer to share them with my personal means that I established throughout the years. I even received some sort of answers to my mails. ''News/Impressions'' can be read as where I am, what I am looking at, what I am witnessing and in what kind of a mood I am observing my environment. In the following pages I wish a happy journey to those who will find a place for themselves among 51 samples of "News/Impressions" photographed and sent in the years 2008-2012. I have to confess, when I was given the pictures (apologies for not saying ''photographs'', never warmed to this notion) if this book to ''look'', first thing I thought of was a poem by Cemal Süreya, and the book of the same name, Göçebe, where he says Istanbul's minarets are ''lyrical'' and its bridges are ''dialectic'' and the crucial lines; ''You know, at whichever city I am / That is the capital of loneliness''. Süreya differentiates ''city'' from ''capital'' which is actually the city of Istanbul, where s/he becomes more lonely and plain. Just like the alienation, residue, and exceptional expressiveness of migration that makes us think of tales, awakens dreams, and burns like embers inside our bosoms which can also makes us shiver as we watch the pictures. Well, maybe we can not see the sentences of the poverty but as the words forming a lexicon, every possible, ''echo'' (each ''word'') reflects towards our gaze. Reflecting on the dialectic of the 'bridges' Cemal Süreya mentions, just as Ece Ayhan says (Ece's name has to be mentioned, otherwise cemal would be offended, I am sure) the ''arab'' (negative) of the picture, is formed as the background. Espas Yayınları 2013 196 Turkish; English 9786054363155 $30,00 İstanbul Modern 2006 191 Turkish; English 9789756167175 $100,00 2006 80 Turkish 9789750089855 $40,00 2015 56 Turkish; English Fotografevi Yayınları Norgunk Yayıncılık Page 4 $300,00 TITLE AUTHOR EDITOR Istanbul by Its Children PUBLISHER Koman Vakfı Italian Shadows Bala Atabek, Marsha Franco İçkalpakçı Çıkmazı: Bir Sokağın Monografisi / Monograph of a Dead-end Street Gülay Kayacan, Ebru Soytemel, Gamze Toksoy Fotografevi Yayınları Fotografevi Yayınları # OF LANGUA YEAR PAG ISBN GE ES Turkish; 2005 212 English; German 2013 2002 80 96 Turkish; English Turkish; English İklimler | Climates Emine Ceylan Emine Ceylan 1999 72 Turkish; English İnsan Halleri / Human Conditions Sıtkı Kösemen, Süreyya Yılmaz Dernek, Ergün Turan İstanbul Modern 2008 144 Turkish; English İstanbul Sabit Kalfagil İtalyanlar Bruno Barbey Katalog 2009 Catalog Banu Cennetoğlu Kamil Fırat, Haluk Çobanoğlu 9789944720250 9789759269906 9789756167304 PRICE $25,00 $25,00 $70,00 İçkalpakçı Çıkmazı consists of photographs taken by Kemal Cengizkan and Dora Günel in Samatya, İstanbul with the participation of the street's residents. All the photographs in this book were taken in the street and its close surrounds, between June 2000 and August 2002. The first exhibition, formed from these pictures, took place on the wall in the street on September 28, 2002, after which photographs were distributed to the "owners". $60,00 "At every stage of my work, it is 'sensation' which has priority rather than 'information'. These photographs are a reflection of life as I perceive it and do not set out to mirror original realities. However, they do aim to reflect naturalness. By focusing not on the extraordinary but the ordinary which is always within our range of vision, on changeable simplicity, I hope to make contact with the essence in the depths of life." These are the words of Emine Ceylan on her works in this book. She continues: "I would like to hope that these obscure images which are the outcome of long and laborious work will, like the flame of a torch, light up small details in the lives of some people, reveal some small secrets, make a tiny contribution to reinforcing their relations with nature and provoke them to stop for a moment and think about the intrinsic essence of life. I have entitled this album Climates, the name of a book which I love by André Maurois, because I believe that people have 'climates' in the form of transient images just as nature does." $40,00 Fotografevi Yayınları 2008 218 Turkish 9789944720113 $75,00 Yapı Kredi Yayınları 2009 112 Turkish 9789750815485 $20,00 BAS 2010 908 Turkish; English Page 5 COMMENTS $400,00 What an ordinary eye sees and a photographer turns into an image differs immensely. For example you wouldn't come accross the stinking Halic of yester years in my imagery. Whereas some friends take photography as very attached to its subject and say that "Photograph can't surpass its subject". Just like the men on the street believes: pretty photos are taken from pretty scenes with pretty models. However, many a filthy place, a junkyard dons the most beautiful photographs while the beautiful scenes may not. The 451 photographs included in this book are divided into 15 categories. TITLE AUTHOR EDITOR PUBLISHER Kesişen Zamanlar / Intersecting Times Haşim Nur Gürel, Ali Akay, Levent Çalıkoğlu, Cem İleri İstanbul Modern Kıyı / Shore # OF LANGUA YEAR PAG ISBN GE ES Turkish; English 2005 205 Kamil Fırat No Yirmi Yedi Yayınları 2003 Turkish; 144 English Kimsin Sen? / Who Are You? Ahmet Polat İstanbul Modern 2007 178 Köprü6 Galata Fotoğrafları / Brid6e Photographers in Galata Cem İleri İstanbul Modern 2007 Küba: Sokakların Sesi / Sound of Streets Özcan Ağaoğlu Fotografevi Yayınları 2006 160 Küskün Kuşlar Göçe Kadar... Nursen Karas, Seyit Ali Ak Fotografevi Yayınları 2005 64 less empty maybe / az boş belki Cevdet Erek Magnum Fotoğrafları ile Türkiye / Turkey Engin Özendes, by Magnum Diane Dufour 9789756167083 PRICE $40,00 9789759267414 $80,00 9789756167229 $100,00 9789756167238 $50,00 Turkish; English 9789750089817 $60,00 Turkish 9789759893361 $25,00 Turkish; English Turkish; 163 English Revolver Publishing 2005 112 Turkish; English İstanbul Modern 2007 217 Turkish; English Page 6 9783957632876 COMMENTS $30,00 $100,00 In Kamil Fırat's Shore, apart from dead bird bodies lying in the shore, foam of the waves, objects on the sand waves, stones, rocks and many details of the shore, there is the "essence" of all these. Taking a walk on the shore doesn't only promise a "silent whistle", like Hilmi Yavuz expresses in his foreword, there is also a "philiosophical essence" in Kamil Fırat's Shore. Beginning with paragraphs from Ece Temelkuran's book ''Senorita, We Are Making a Revolution Here'', this book includes photographs of streets and people of Cuba through the lens of Özcan Ağaoğlu. 'Cevdet Erek, is known as one of the main artists working with sound, space and rhythm in Turkish contemporary art scene. The most significant themes seen in his work appear as very controlled intervention (LESS), decisive use of emptiness and voids (EMPTY), and a certain open-endedness (MAYBE). Form is extremely important for Erek. He works with minimal interventions to suggest a certain field/platform and a certain interface. Although he gives hints about his inclinations he doesn't want to determine exactly where our journey will end. Erek do not prefer to refer to his art as a completed, well-integrated art adventure: he enjoys to emphasis the continuity of ambiguity and contingency. Obviously, equipped with an awareness about sound, space and rhythm, Erek has been one of the majör examples of a critical attitude to art in Turkey in 2000s. We hope Cevdet Erek's genuine contribution to the art world will be more visible as a result of this book.'' Süreyyya Evren TITLE AUTHOR EDITOR PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES PRICE COMMENTS $30,00 We have arrived Mardin on a hot day. We stood in front of the city. I looked amazedly at the stone houses lining in front of the castle. I was in front of a city completely different from all I have seen before. I fell into a strange feeling. I sat on the stone wall near the road, I took out my tripod, placed my camera and started to look at the city through the view finder. The sun almost set. The faces of the stone houses looking towards the west were painted gold. It was as if my eyes very painting on the canvas. There was a soft breeze. The leaves of the almond tree in front of me rustled. Pigeons flew towards the city. Pigeons met the kites, they wandered on the sky turning dark blue. The panaromic view in front of me started talking. I started noting down the words of the city. What I have felt were the first words of the city, I had to live, to talk with her. What I saw was the personality of the city. I gazed vacantly as if looking at an invaluable painting of the painter. I remained in front of the city till the lights were put on. When they were on, the castle also put on her necklace. It was like a diamond necklace on the neck of a beauty with fair skin. We were face to face. Just in front of each other. The city was looking at me like a pair of eyes looking at her lover. I could feel she had a lot to tell. I was wrapped by a magic I couldn't understand but could feel in my heart. A magic which was impossible to erease. I had to go into the streets of the city and listen to what was said. The city was going to talk. I loved her, she loved me too. I felt the love. The magic wasn't ereased, the love either... I went on visiting Mardin for five years. Sometimes in spring, sometimes in autumn, and sometimes in the heat of the summer... I added my essays to my photographs. This book was completed like that. Introduced by Nuri Bilge Ceylan, this book contains photographic works of Emine Ceylan between 1982-87. Mardin Lütfi Özgünaydın Fotografevi Yayınları 2008 118 Turkish; English Photographs Emine Ceylan Emine Ceylan 1999 46 Turkish; English $40,00 Plenty Of Rhinos To Remind You Of One Date Ömer M.Koç - Esen Karol Ofset Yapımevi 2012 English $30,00 Sabunsoy Fethi Sabunsoy Privately published 2000 156 Turkish 9789758368020 $50,00 Sessiz Direniş: Rus Fotoğrafında Resimsellik / Quiet Resistance: Pictorialism Olga Sviblova in Russian Photography İstanbul Modern 2008 272 Turkish; English 9789756167250 $80,00 Sessizliğin Rengi 1 Recep Dönmez Otingo Matabaacılık Ltd. 2002 107 Turkish $60,00 Siyah Beyazlar 1958-1968 Gültekin Çizgen Hezarfen Fotoğrafya 1998 20 $20,00 SSS Sahil Sahnesi Sesi / Shore Scene Soundtrack - Halı İçin Tema ve Çeşitlemeler / Theme and Variations for Carpet Cevdet Erek BAS 2008 64 9789758069132 Turkish Turkish; English Page 7 9786050025019 $20,00 SSS can be seen as an attempt to share a discovery. It explains in detail to the reader how one can mimic the sea, how this can be done simply for oneself or formally as a performance. The required state of mind for making the imitation is treated with the same precision as technique and necessary equipment. Humorously but without irony,Erek constructs a subjective guide by passing from a contemplation on the imitation of nature, through a step-by-step manual to a form of written music. TITLE AUTHOR Suyun Bir Arada Tuttuğu: Verbund Koleksiyonu'ndan Sanat / Held Together with Water: Art from the Sammlung Verbund Gabriele Schor Şahin Kaygun: Bir Fotoğrafçının Günlüğünden Notlar / Notes From The Diary of A Photographer Şahin Kaygun EDITOR PUBLISHER İstanbul Modern TC Kültür Bakanlığı # OF LANGUA YEAR PAG ISBN GE ES 2008 1992 132 244 Turkish; English Turkish; English Şahin Kaygun: Tüm Bir Yaşam / A Lifetime Şahin Kaygun TC Kültür Bakanlığı 1992 192 Turkish; English Şimdiki Zaman Geçmiş Zaman: 20 Yılda Uluslararası İstanbul Bienali'nde İz Brakanlar / Time Present Time Past: Highlights from 20 Years of the International Istanbul Biennal David Elliott, Rosa Martinez İstanbul Modern 2007 373 Turkish; English Tarihte Bugün / Today in History Ahmet Öğüt Book Works 2007 66 Turkish; English Tarlabaşı: Ayıp Şehir / A Defiled Istanbul District Ali Öz Fotografevi Yayınları 2013 176 9789756167311 Turkish; English Page 8 9789756167169 PRICE COMMENTS $50,00 $80,00 A boy in his teens, his school hat slightly askew, is looking through the window of a small photo shop. Among the hand-coloured photos of happiness, portraits of soldiers, hands propping up their chins so as to show off their wrist watches, handsome young men, beautiful young girls posing carefully, and faded film cartons, what he is examining is a tiny photo camera. The same boy, Şahin Kaygun that is, will have his name in every avantgarde movement in Turkish photography, influence young generations, produce unusual works which break new ground , and will be the controversial subject of many discussions in the future. $100,00 'We would, have prefered to present this 'In Memoriam' book to Şahin Kaygun himself. Şahin Kaygun is one of our artists to have reached this universality... He has added new dimensions to the style of photography. He has carried the 'Polaroid' to a new horizon. He has enriched its language. He has integrated it into new possibilities of artistic creation. He has redefined the art of photography as a phenomenon beyond the 'camera lucida'... It is meaningless to begin the statement with a 'If he had lived...' because Kaygun realized whatever he had to realize during his short life span. He himself would probably not be content with that, but whatever he offered us is rich enough to have him engraved in our memory without expecting more.'' – Fikri Sağlar $150,00 $45,00 9789944720236 $40,00 Right in the heart of Istanbul, a neighbourhood is being torn down! The streets that make up the physical fabric of the neighbourhood, the buildings that give colour to those streets, its houses, its workplaces, and the men, women, and children who live there... a thousand and one more varieties of life are being destroyed/annulled. Tarlabaşı being sacrificed in the name of ''gentrification''! Tarlabaşı: A Defiled Istanbul District brings us face to face with this process in its all vividness, a poignant rreality which is hardly aesthetic. Ali Öz, a veteran photographer, practically lived in Tarlabaşı for two years. He has recorded the ''destruction/annulment'' process that the city and the neighbourhood have suffered frame by frame. He has revealed on every corner the face of Tarlabaşı, which has suddenly just been ''vaporised'' in the name of ''urban renewal'', street after strret, step by step –from the Azerbaijani to the Pakistani and the African; from those who saught refuge in Istanbul after the Bingöl earthquake to the stuffed mussels sellers; from the coffee-houses to the beer-houses, bars, and cheap nightclubs. TITLE AUTHOR EDITOR PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES Terra Magica İzzet Keribar APA 1999 179 English The Americans Listesi: Müzik Kutusunun Parıltısı Eşliğinde Jason Eskenazi Espas Yayınları 2012 112 Turkish The Land of Clouds Cemal Gülas Alcatel AŞ. 1997 208 English The Last Caravan on the Silk Road Arif Aşçı Kaleseramik Kültür Yayınları 1998 9786054363148 COMMENTS $80,00 In his Terra Magica, master photographer Keribar, displays some of the magnificent pictures he has taken on four continents - Europe, Africa, Asia and North America - over the past 16 years. Keribar's pictures show overwhelming desert scenes in North Africa, canyons in the American Southwest set against a blue sky with billowing clouds, Buddhist monks wearing colorful robes in prayer in Burmese temples, poor Pakistani men washing clothing by dirty streams, bearded clerics, a black jazz trumpeter in New Orleans, an old gypsy violinist in Istanbul. He is a master of composition and the use of light, color and contrast. $20,00 $70,00 $200,00 The Silk Road has played a tremendously important role in the history of mankind. For centuries it was this road that linked east to west and served to merge the economic, cultural and political traditions among the peoples living along this long route. The Silk Road Project, retracing the ancient Silk Road with a camel caravan, realized by partition of Arif Aşçı, Necat Nazaroğlu and Murat Özbey lasted a full two years. As you'll read The Last Caravan on the Silk Road, you'll see the close cultural relationships between the nations along this road and recognize the tremendous role the Silk Road played in carrying and disseminating man's cultural inheritance. The photographs by the famous photographer Arif Aşçı, published in the book will shed light on our shared cultural inheritance and they will carry our past to all coming generations in the future. 9786054363117 $60,00 The past twelve years were my most productive years in creating photography projects, one project followed another. I've spent all my free time and holidays on photography. When I opened my exhibition "Autumn Roses" in September 2008, my new project has already formed in my head. I've spent thirty three years of my life working for this company however. I did not have any significant project related to this environment. Although, I was the one who preached in various photography seminars that "our lives" were the most essential source for photography projects. Thus, I had to turn my lens towards my work environment. The idea needs time to take a shape, you need to leave it to ferment. For about 6 months, I've put a lot of thought into this, shared the idea with my fellow photographer and researcher friends. My excitement was growing by that time. I've started looking for ways to commence this project, with whom and how; I have talked to some of my work friends explaining what I am planning to do. Finally I've come to an agreement with about twentyonepeople that I would spend some time together in the following two years. Contents: Interview - Vasıf Kortun, Vahap Avşar; Consumption, surveillance, popnews, authorship - Zeynep Öz; Vahap Avşar works, processes and concept network - Burak Arıkan; The passive resistance of the activist image - Evrim Altuğ 452 English Turkish; English PRICE Unvan-sız | Un-titled Dora Günel Espas Yayınları 2012 278 Vahap Avşar Vahap Avşar Rampa Sanat 2011 183 English 9786058818514 $40,00 Yaşamın Aynası: Fotoğraf Mehmet Ünal Espas Yayınları 2012 124 Turkish 9786054363063 $20,00 Page 9 EDITOR PUBLISHER # OF LANGUA YEAR PAG ISBN GE ES TITLE AUTHOR Zaman 1983-1991 Mustafa Kocabaşı Hezarfen Fotoğrafya 1997 20 Turkish Zift Arjen J Zwart Espas Yayınları 2012 64 Turkish * Shipping is not included in prices. Page 10 PRICE $20,00 9786056255700 $30,00 COMMENTS